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I'm both startled and pleased to run across an Abramishvili reference here; I'm fond of his work, but I probably never would have heard of him if I hadn't lived in Georgia (that Georgia) for a couple years. And I love the connection you make between his dancing figures and that delightful scene from the Protoevangelium of James. I'll be musing on that for a while.

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I was so delighted to stumble across him online. I would love to see his work in the flesh one day

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